causal rewrite- lil.sapph

Minimalism Prevents Creativity

Minimalist design has been celebrated for its simplicity, clean lines, and peaceful environment, but the very features that make it appealing also hold back creativity. We have evolved to live in repeated rectangular prisms out of simple convenience. Wired to think creatively, explore, and to break boundaries, our minds crave stimulation, complexity, and unpredictability. While minimalist spaces are calming and organized, they do little to foster innovative thinking as they lack the very things creativity needs. 

Color plays a massive role in how we experience the world, and it’s no different in interior design. Minimalist spaces primarily use muted, neutral colors like beige, white, and gray. Color theory proves that muted neutrals are not very stimulative, rather they have a calming effect. According to FZE in The Psychology of Color, “The retina focuses on colors as rays of light, which have varying lengths and degrees of refraction, reflection, and absorption depending on the hue. The eye’s sensing of each color induces fast reactions in the brain and autonomic nervous system.” Warm colors like red or orange have longer wavelengths which are attention grabbing and stimulate energy. In contrast, cooler colors like blue or green have shorter wavelengths that enter the eyes easier, resulting in a calming and relaxing effect.  Creativity needs more than a serene color palette. It requires stimulation achieved through vibrant colors and dynamic contrasts. A room with splashes of color or unique patterns force the brain to think differently, while the sterile neutrals of minimalism keep it stuck in place.

Image 1 on the right shows this wonderfully. The stone and beige tones bring out the peace of the room and there are no other colors in any decoration that would bring up any emotions other than serenity. The image on the left on the other hand is overflowing with color, vibrancy, and creativity. The color scheme is not chaotic, but harmonious. It gives a really complete look to the room, along with a bit of biophilic design as can be seen on the wall and the plants all along the room. The addition of this foliage allows an inspiration from nature to also seep into our wonderful minds.

Minimalist design is full of straight lines, rigid angles, and rectangular shapes. While these structures may be comfortable, they are incredibly limiting. Human beings love order, but too much order is a creativity killer. When everything is perfectly aligned, when all angles are predictable, the mind doesn’t feel challenged. There’s no complexity to engage with. This repetitive, predictable pattern in our carpentered world limits the brain’s ability to break out of its usual way of thinking. We don’t need a perfectly symmetrical room to feel comfortable, but we do need visual variety to keep our minds engaged. While our perspective changes and objects appear to be angled and somewhat trapezoidal, our eyes strictly believe it is still rectangular, showing us how it is always the same thing. This type of repetition embedded itself in our brains making any other type of structured environment out of the ordinary.

The straight lines and rigid shapes seen in image 2 are soothing , but uninspiring. The lack of complexity makes the room feel static. In contrast, the room in Image 1, with its complex ceiling and irregular angles, engages the brain in a different way. The mind is forced to process the unusual shapes and think beyond the obvious, which stimulates creativity. A room that challenges perception whether through unexpected angles or complex forms, pushes the boundaries of conventional thinking and opens the door for new ideas.

Minimalist spaces neglect a variety of textures in the space, using just smooth, polished surfaces with minimal designs like metal, glass, and stone. Giving a sleek and modern look isn’t enough to engage with one of the most important senses: touch. Touch is essential for creativity as different textures allow us to experience the world around us in more depth, providing the brain with sensory input that helps it think in new and inventive ways. Minimalist design’s emphasis on smooth, uniform materials creates a cold and uninspiring tactile environment. While these materials may look clean and modern, they don’t invite exploration or provoke deeper thoughts. On the other hand, spaces with different textures like wood and different fabrics engage the senses better. 

Like in the intricate ceiling design in image1 which makes the room more complex and engaging, as well as the intricacy in wood structure in image 2. In contrast, the minimalist design in image 1 and 2 has smooth stone and tile surfaces that lack texture, making it flat and uninspiring. 

Minimalism is built around the idea of removing distractions and focusing only on functionality. Creativity thrives in environments that challenge us, push us to think outside of the box, and offer variety in our surroundings which minimalism does not. It doesn’t offer the stimulation the mind needs to break out of its regular thought patterns when all of the complexity and flourishing elements are striped away.

Image 1

Image 2

 References 

FZE, B. B. C. (2024, September 20). The psychology of Color. UKEssays. https://www.ukessays.com/essays/arts/the-psychology-of-color.php

Kansal, S., & Rana, D. P. (n.d.). International Journal of Architecture and Infrastructure Planning. http://architecture.journalspub.info/index.php?journal=JAIP&page=index 

Mahmoud, H. M. (2023). (PDF) form and structure in Interior Architecture. https://www.researchgate.net/publication/328256439_Form_and_Structure_in_Interior_Architecture&nbsp

Mahmoud, Dr. H.-T. H. (n.d.). Minimalism as concept in interior architecture design Case study North coast villa. https://jsos.journals.ekb.eg/article_225753_b862f35afd09da34e21df0f09c701d79.pdf 

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4 Responses to causal rewrite- lil.sapph

  1. davidbdale's avatar davidbdale says:

    I love brevity, lil.sapph, but brevity in the service of massive tons of content is the actual goal.

    Here’s a good paragraph that doesn’t do enough:

    The distinctive characteristics of minimalist design are precisely what stifle our innovative minds.

    Sure, but . . . we don’t know what those characteristics are until you tell us, so it’s hard for us to agree. You want us to start nodding YES right away. Help us. Are the characteristics of minimalist design dull, boring, lifeless, lackluster, predictable, regimented, tiring, uninspiring, monotonous, pedestrian, vacuous, prosaic?

    We have evolved to fabricate complex stories and come up with unconventional ideas that stem from the creativity inside us.

    Did we evolve BECAUSE we trapped ourselves inside all white cubes of sheetrock rectangles? What sort of evolution led to this design dead-end architects impose on us?

    Our minds require a stimulative influence to grow beyond logic, developing into this output of inventiveness that is extremely threatened in a minimalist designed environment due to its simplicity.

    Confusing. You follow up an observation about “evolution” with one about “growing beyond logic and developing.” So, . . . which is it? What went wrong in our evolution? Are the predictable white cubes “logical”? And, what “output of inventiveness” are you referring to?

    Let’s rephrase to get rid of the clumsy “due to,” which comes too late to be clear.

    . . . a minimalist-designed environment whose simplicity threatens our inventiveness.

    This interior design, commonly found in homes or workplaces, can be identified by its color scheme, clean lines, materials. 

    You’ve wasted another opportunity to clue us in on what’s wrong with the characteristics of minimalism:

    its stultifying monochromatic color scheme?
    its regimented and relentlessly predictable angles?
    its inoffensive and unnatural materials?

    Notice that even in the choice of details and adjectives we can express CAUSE and EFFECT. Surely readers will pick up how hard it would be to be creative in all that bland and regimented dreariness?

    Let me know if that’s enough for now, or whether you’d like interference on the rest of your paragraphs.

    Put this into Regrade or back into Feedback Please following any significant improvements (preferably to more than just the first paragraph).

    Graded.

  2. davidbdale's avatar davidbdale says:

    I seem to have caught you in the middle of a Revision Cycle.

    Do you need more time for changes before I go back in for a Regrade?

  3. davidbdale's avatar davidbdale says:

    Still looking for the obvious CONTRAST setup here, lil.sapph:

    We have evolved to live in repeated rectangular prisms out of simple convenience. Wired to think creatively, explore, and to break boundaries, our minds crave stimulation, complexity, and unpredictability. 

    I think you mean:

    1. OUR ARCHITECHTURE (or OUR INTERIOR DESIGN) has evolved, out of simple convenience, to CONFINE US to repeated rectangular prisms.
    2. While
    3. OUR BRAINS are wired to think creatively, to explore, and to break boundaries; our minds crave stimulation, complexity, and unpredictability. 

    You get that balance right in the last sentence in your introduction. Keep an eye out for other such opportunities. Be sure your sentences lead (guide) readers well from one thought to the next.

    I’ll leave this here and return for additional feedback if you invite me back. You might still be working on this revision set.

  4. davidbdale's avatar davidbdale says:

    That is a radical rewrite and SOOO MUCH BETTER than the original. Congratulations, lil.sapph.

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